Digital Imaging Reporter Presents the 16th Rudy Awards

Digital Imaging Reporter Presents the 16th Rudy Awards


In 2022, DIR celebrates 30 years as the photo-imaging industry’s business publication. This year, more than ever, we are reflecting back to our beginnings—and our founders. Established in 1992 by Rudolf Maschke and Ed Wagner as Photo Industry Reporter, our publication—like the industry it covers—continues to evolve.

However, what hasn’t changed is our mission to engage our readers with signature features, Like DIR’s coveted Rudy Awards. This is the sixteenth time we have awarded them in the name of our late cofounder, the Great Maschke, as he called himself!

Rudy was an unforgettable character who pioneered photo-imaging trade publishing. With a keen eye, he always had his finger on the pulse of the industry he loved, instantly recognizing breakthrough technologies.

In 2021, despite the ongoing pandemic, our industry continued to advance. It introduced devices to meet new imaging needs and enhance the ingenuity of content creators. Our editors got together virtually to discuss the products that grabbed our attention. Here, in the spirit of our cofounder, are the 16th Rudy Awards. From pro mirrorless to analog film cameras as well as gear to make vlogging and livestreaming easier, the products are presented in no particular order.

          The 16th Rudy Awards Winners

Nikon Z 9 Flagship Mirrorless ILC

Starting off with a heavy hitter, Nikon’s most advanced, full-frame Z ILC is its first mirrorless flagship. A 45.7MP, stacked BSI CMOS sensor and Expeed 7 processor 10x faster than the Z 7II’s achieve fast bursts with full AF/AE. The Z 9 shoots 20-fps RAW images with a 1000+ buffer! Need a balance of quality and burst rate? It captures full-res JPEGs at 30 fps. Conversely, a high-speed frame capture+ function enables 120-fps shooting with AF/AE at a manageable 11MP. And its ISO range expands from 32 to 102,400. Plus, starlight mode lets it focus down to -8.5 EV.

Nikon’s most sophisticated AF system uses a subject-detection algorithm developed with deep learning and 3D-tracking technology. It detects a larger range of subjects: humans, pets, birds, airplanes, trains, cars and bikes.

Nikon-Z-9-front 16th rudy awards
Nikon Z 9

Upgrades also enable in-camera 8K video recording; blackout-free real-live viewfinder visibility; and a sensor scan rate that eliminates rolling shutter distortion and the need for a mechanical shutter! Fast-moving subjects are accurately captured even at 1/32,000 sec.

The Z 9 records longer 8K UHD 24p/30p and 4K UHD 24p/30p/60p/120p video. It features 10-bit N-Log and HLG; H.265 (HEVC), ProRes 422 HQ and H.264/MPEG-4 AVC codecs; a full-size HDMI; and 24-bit linear PCM audio.

Not enough? It has a tilting, 3.2-inch touchscreen LCD; Vibration Reduction stabilization with Synchro VR for 6 compensation stops using compatible lenses; an integrated vertical grip and controls; a drip/dust-resistance magnesium alloy build; Bluetooth; Wi–Fi (2.4/5GHz); 1000BASE-T wired LAN; direct FTP transfer; and GNSS GPS. $5,499.95.

Tamron 150–500mm f/5–6.7 Di III VC VXD Compact Lens

This is Tamron’s first ultra-telephoto zoom for full-frame mirrorless cameras that reaches the 500mm focal length. Even at the tele end, this superb E-mount lens is compact enough (11.1 inches) for handheld shooting. Supporting this is Tamron’s VXD (voice-coil eXtreme-torque drive). Tamron integrated the linear motor focus mechanism to deliver quiet, agile performance, while proprietary Vibration Compensation enables high-level image stabilization. Additionally, a VC mode switch selects mode 1, standard; mode 2, panning; and mode 3, framing priority.

What’s more, the lens zooms from 150mm to 500mm by rotating the zoom ring through an arc of just 75°—less than a quarter turn. This allows rapid adjustment with minimal movement.

Tamron 150–500mm f/5–6.7 Di III VC

Tamron also improved focus tracking, and a linear motor reduces drive noise and vibrations during focusing—making the lens terrific for low-noise environments.

Comprising 25 elements in 16 groups, it uses one XLD (extra-low dispersion), five LD and two hybrid aspherical elements. They control aberrations like axial chromatic aberrations. Plus, a 1:3.1 magnification, 23.6-inch MOD (150mm) optimizes macro shooting.

Other benefits include BBAR-G2 coating that minimizes ghosting/flare; an Arca-Swiss-type tripod mount; flex zoom lock; moisture resistance; a fluorine coating; and compatibility with camera-specific functions, such as eye AF. $1,399.

Sigma fp L Diminutive Mirrorless Camera

Sigma calls the fp L the world’s smallest, lightest 61MP, full-frame mirrorless camera. We call it remarkable. It has a larger sensor; improved autofocus with contrast- and phase-detection AF; and USB power capability. Its optional companion is the EVF-11 electronic viewfinder. But the camera works with various electronic or optical viewfinders.

Making it adaptable for photographers and videographers, Sigma leaned on three concepts. 1. Pocketable with a full-frame sensor. 2. Scalable. 3. Seamless with modes changeable at the flip of a switch.

16th rudy awards tipa world awards 2021 Sigma-fp-L-w-35mmF2DGDN
Sigma fp L

Its 61MP, BSI 35mm Bayer sensor has a low-pass filter to achieve high definition and rich color. The Foveon sensor legacy was behind the decision to use an LFP to reduce moiré.

For scalability, users save custom settings as QR codes. They can then load many patterns of custom settings quickly and exchange QR codes on social media.

Moreover, the high pixel count means images can stand extreme zooming or cropping. A crop zoom feature works in still and cine modes. And photographers can pinch to zoom on the LCD touchscreen.

Cinematographers profit from 4K recording, RAW formats, 12-bit Cinema DNG and camera control with a gimbal. The saving & loading settings also enable sharing settings via QR codes in a multi-camera shoot.

For vloggers, the ILC connects to a PC via USB-C to act as an audio/video input device. Powered by the computer, it can function as a webcam for long hours. $2,499; with EVF-11, $2,999.

Canon RF5.2mm f/2.8 L Dual Fisheye Lens

Here’s something completely unique! Canon’s solution to the challenges perpetually troubling VR image makers, it’s the first digital interchangeable lens that captures stereoscopic 3D 180° VR imagery to a single image sensor.

The lens features a beautifully engineered, folded optical design, with separate left and right optical systems. Ergo, it captures stereoscopic 3D imagery with a 190° field of view to a single full-frame sensor. Creators can add a new dimension to their stories—going from still or video shooting to stereoscopic 3D with a lens swap!

16th rudy awards Canon TogetherNext Canon-RF5.2mm-f2.8-L-dual-fisheye-lens-left
Canon RF 5.2mm f/2.8L

Part of Canon’s EOS VR system, the lens works with the EOS R5 camera that’s capable of 8K 30p video and Canon VR software. Its immersive 3D content is viewable on head-mount displays like the Oculus Quest 2. Viewers take in the scene with a wide field of view by moving their heads.

Pairing just one lens to an R5 provides the ability to deliver a single file. Remarkable compared to traditional VR systems that capture 3D scenes with two fisheye lenses and record to two separate cameras or sensors that write two files. With the RF5.2mm, users save time behind the camera and in postproduction by eliminating multi-camera positioning, multi-lens syncing, image stitching, audio syncing and encoding.

Creators will need a subscription-based software. Stay tuned, Canon’s EOS VR Utility and EOS VR plug-in for Adobe Premiere Pro are coming. Then, VR professionals and newcomers can create immersive experiences!

Polaroid Go Tiny Instant Film Camera

Let’s take a leap back from VR to analog capture! The tiniest member of Polaroid’s portfolio, the Go measures 4.1×3.3×2.4 inches and weighs 8.5 ounces. A wearable creative companion, it’s a mini version of the traditional, square-format film camera.

In a classic white colorway, it continues Polaroid’s iconic design heritage. However, it’s a new format instant camera for a new generation. It features a new selfie mirror; a self-timer; a longer-lasting battery; and double exposure mode. And it pairs with travel-friendly accessories.

Polaroid Go and Film Pack

With shutter speeds of 1/125–30 seconds, the analog camera employs a 34mm-equivalent f/12–52 lens and an automatic flash.

On its launch in 2021, Ignacio Germade, Polaroid’s chief design officer, had this to say: “We spent years designing the Go camera from the inside out. The camera’s internal components are arranged like a 3D Tetris. We used a careful composition to achieve a simple, effortless exterior and deliver the smallest size instant analog camera possible. Bringing product design back in a serious way to Polaroid is a labor of love.”

The Polaroid Go ($99.99) uses Go film, which reimagines Polaroid’s classic square format in the smallest analog film the brand’s produced. The color instant film takes 16 photos per double pack ($19.00) with the classic Polaroid white frame.

Pentax K3 Mark III DSLR

Ricoh’s flagship APS-C DSLR boasts enhanced functions and performance. Weather-resistant, it employs a 25.7MP BSI CMOS sensor and an AA (antialiasing)-filter-free design that reduces moiré to the same level as an optical AA filter. The simulator has on/off and level selections.

Its Prime V engine and accelerator deliver better defined images with minimal noise. What’s more, the DSLR boasts an ultrahigh sensitivity of ISO 1,600,000! It also shoots 12-fps bursts (AF.S) and records 4K/Full HD H-264 video clips.

16th rudy awards Pentax-K-3-Mark-III-Silver-Premium-Kit-w-grip
Pentax K-3 Mark III

A 1.05x, 100%-field-of-view optical viewfinder delivers a 10% brightness improvement. And its natural bright matte III focusing screen makes manual focusing easier, while a transparent display lets users monitor operational data. Plus, its 1.62M-dot, 3.2-inch touch LCD has a night vision function.

Another highlight is Pentax’s Real-time Scene Analysis system with AI that detects a subject’s face/eyes for real-time analysis of movement. Further, SR II Shake Reduction supplies 5-axis, 5.5-shutter-step shake compensation even with a telephoto lens or shooting in low light without flash. And its SAFOX 13 phase-matching AF module has 101 focus sensors (25 cross-type sensors in the middle) and focuses as low as -4 EV.

Other features include stereo mic and headset terminals; HDR mode; Bluetooth; wireless LAN; a dual SD slot; and USB Type-C charging. $1,999.95.

Sony Alpha ZV-E10 Interchangeable-Lens Vlog Camera

The first Alpha ILC specifically for video creators and vloggers, the ZV-E10 combines the Sony ZV-1’s video-centricity with E-mount lenses. It livestreams and acts as a webcam without an external adapter plus supports USB camera standards, like UVC (USB Video Class)/UAC (USB Audio Class).

Its 24.2MP APS-C Exmor CMOS sensor and Bionz X processor produce imagery with high sensitivity and detailed texture. Adopting the ZV-1’s background defocus and product showcase functions, it also sports a side-opening, vari-angle, touch-focus LCD. Creators can connect external mics on top of the camera and still see the screen in selfie mode.

16th rudy awards Sony-ZV-E10-front-w-lcd
Sony Alpha ZV-E10

Weighing just 12 ounces, vlogging benefits include 4K QFHD recording with full pixel readout without binning; the XAVC S codec at 4K 100Mbps; slow & quick motion functions; time-lapse video creation; Hybrid Log Gamma (HDR)/S-Gamut3.Cine/S-Log3, S-Gamut3/S-Log3; a directional 3-capsule mic with a wind screen; a digital audio interface; and a mic jack plus headphone jack. Whew!

Plus, IS with active mode stabilizes handheld video creation while walking. For easy operation, a one-touch top button changes between still/movie/slow and quick modes. And a tally light provides at-a-glance status.

Another nicety is a zoom lever that operates optical zoom with power zoom lenses and “clear image” zoom with prime and zoom lenses, without losing resolution. The vlog camera also boasts Fast Hybrid and Real-time Eye AF plus convenient power functions. $700.

Logitech Litra Glow Light

Here’s an illuminating, user-specific device that reflects today’s imaging trends. Logitech For Creators introduced Litra Glow, a streaming light with TrueSoft technology. TrueSoft delivers balanced, full-spectrum LED light with cinematic color accuracy and natural skin tones.

Logitech Litra Glow

It was designed to solve challenges faced by streamers and creators, including light quality, harsh shadows and eye fatigue from hours of streaming. The light’s frameless diffuser wraps creators in a soft, flattering light for a professional look. Whether shooting a YouTube video, streaming on Twitch or taking a video call, it helps ensure users look great.

What’s more, livestreamers can fine-tune their look using five presets for brightness and color temperature; options range from warm candlelight to cool blue. Settings are accessed by controls on its back or via Logitech G HUB software.

With G HUB, streamers can create light presets for different scenes. Further, they can assign those presets to G Keys on a Logitech G keyboard or mouse to change their look midstream. Creators can also control all their streaming gear, including Blue Yeti mics, with one desktop app.

Certified safe for all-day streaming, Litra Glow’s soft, glare-free light is gentle on the eyes. An included monitor mount with adjustable height, tilt and rotation lets creators find the ideal placement on a monitor. $59.99.

GoPro Hero10 Black Action Cam

Delivering better image quality and video frame rates, the GoPro Hero10 Black boasts the new high-performance GP2 processor. The result: 5.3K, 60-fps video capture and 23MP photos!

The processor enabled improved video algorithms with local tone mapping and 3D noise reduction for finer detail, more realistic textures and better contrast. It also permitted HyperSmooth 4.0 stabilization for smoother video. Plus, in-camera horizon leveling with an increased tilt of 45° makes chaotic footage look steady.

16th rudy awards GoPro-Hero10-Black-left
GoPro Hero10 Black

What’s more, the Hero10 is cloud connected; when plugged in to charge, it automatically uploads captured footage to a GoPro cloud account. Other upgrades are a front color display with higher frame rates for smoother live preview and a more responsive rear touch-zoom display.

RAW photos are captured with noticeably improved low-light performance. And 5.3K video provides more fluid playback and 2x slow motion. 4K video is also recorded at 120 fps (4x slow motion) and 2.7K at 240 fps (8x slow motion). Plus, users can pull 19.6MP stills from 5K video.

Waterproof to 33 feet, the Hero10 adds a water-shedding protective lens cover. It also adopts GoPro’s entire universe of shooting functions, including stabilized 1080p livestreaming and a 1080p webcam mode.

Also featured are digital lenses for ultrawide, wide, linear and narrow perspectives; voice control; three mics with wind-noise reduction; stereo + RAW audio; a fast-charging 1720mAh battery; and folding mounting fingers. With one-year subscription, $399.

Hoya Sparkle 4x and 6x Cross-Effect Filters

Want to add a creative twinkle to photographs? The Hoya Sparkle 4x filter converts a light source into a 4-pointed star; the 6x filter transforms it into a 6-pointed star. A multi-coating process and etching pattern considerably limit the size of their patterns versus traditional star filters.

Traditional cross filters tend to lengthen light beams, which can lead to overloaded imagery. The moderation of the beams is what makes the Sparkle cross-effect filters unique, and the star points they produce are more natural looking.

Hoya Sparkle 4x and 6x

Like all star filters, they soften contrast in images, like soft diffusion filters. They also affect the whole image, making them a diffusion option even when pinpoint light sources aren’t present.

In the absence of strong light sources, the Sparkle filters create a dreamy atmosphere—especially pleasing in portrait and landscape photography. Users can strengthen the effect by increasing the focal length toward the telephoto end. Additionally, Sparkle filters are more sensitive to very small light sources like stars, making them a choice for astrophotographers seeking a different look.

A rotating frame lets users control the direction or angle of the points emanating from light sources. The knurling on the filters’ frames makes it easy to attach and remove them. Plus, their matte black finish minimizes reflections and ghosting, while thin frames reduce vignetting even with wide-angle lenses. From 49mm to 82mm, $44–$82.

Panasonic Lumix BS1H Box-Style Live/Cinema FF Camera

This distinctive mirrorless camera combines the cinema quality of the Lumix S1H with a box-style profile. And it uses Panasonic Lumix S lenses!

Its 24.2MP, full-frame CMOS sensor boasts a 6,024×4,016 resolution and an optical low-pass filter to suppress moiré and false color. It works with Dual Native ISO technology and a Venus engine, achieving ISO 51,200 sensitivity.

The BS1H delivers 6K video recording; artistic bokeh; low-light performance; and 14+ stops of dynamic range. What’s more, its connectivity and mobility allow filmmakers to create a custom system. It also furnishes consistency among images to minimize postproduction when used alongside other Lumix production cameras.

Panasonic LUMIX BS1H no lens
Panasonic Lumix BS1H

Video options include 6K/24p; 5.4K/30p (3:2); 5.9K/30p (16:9); and 10-bit 60p 4K/C4K HEVC using the Super 35mm-equivalent image area. Additionally, the camera adopts Panasonic’s VariCam cinema cameras’ colorimetry for accurate colors and richer skin tones.

Integrated V-Log/V-Gamut provide a high dynamic range, broad colors and greater play in postproduction. V-Log has log curve characteristics reminiscent of negative film. V-Gamut delivers a color space larger than film.

The BS1H outputs 12-bit RAW video over HDMI to save Apple ProRes RAW or Blackmagic RAW. On top of all that, it features HLG recording; VFR for over-cranked/under-cranked C4K/4K video; HFR with sound/AF; livestreaming over wired LAN; USB 3.1 Type-C; 3G-SDI (BNC) and HDMI Type-A terminals for simultaneous output; Wi-Fi; Bluetooth; tally lamps; and a 3.5 audio jack. $3,499.99.

DJI Mavic 3 Drone

The most comprehensive update to Mavic drones in three years, this vastly improved, iconic DJI folding camera drone was redesigned from tip to tail!

It boasts a Hasselblad camera plus a hybrid zoom camera with a 162mm lens featuring 28x zoom (digital + optical) and an f/4.4 aperture. DJI also upped the omnidirectional obstacle sensors to a 665-foot range, and the drone’s batteries now provide 46 minutes of flight.

The L2D-20c aerial camera embeds a professional Four Thirds CMOS sensor with a 24mm AF lens. It processes 5.1K video at 50 fps with heightened sensitivity and generous cropping, as well as 4K/120p video for better slow-motion footage. And it shoots 20MP images in 12-bit RAW.

Adorama Aerial Photography challenge DJI-Mavic-3-left 7th SkyPixel Aerial Photo & Video Contest
DJI Mavic 3

The sensor also increases dynamic range and effectively suppresses noise in low light, while 12.8-stop dynamic range retains details in highlights and shadows. Plus, Hasselblad Natural Color Solution and the 10-bit D-Log color profile capture one billion colors!

Moreover, the omnidirectional APAS 5.0 system has six fisheye vision sensors and two wide-angle sensors that continuously sense obstacles. Plus, ActiveTrack 5.0 now allows the drone to move forward, backward, left, right and diagonally with the subject and around it.

Safety features include geofencing; altitude limits; and the AeroScope Remote ID system that lets authorities identify drones in sensitive locations. Moreover, the upgraded DJI O3+ transmission system offers more stable video transmission over a 9.3-mile range. As expected, the Mavic 3 offers even more intelligent shooting modes, like MasterShots, for creating and editing content. Standard, $2,199.